Exhibition record
The Seasonal Catalogue
A printed record of each show, with maker notes and edition details
Four catalogues a year, and each one is built the same way: the works in the order they hang, the maker's name, the medium, the year, and a short note on where the piece was made. Nothing is listed as a loose image. If a photograph of a fence line was taken on a particular boundary in the midlands, that line stays with the plate so a reader can follow the same ground across several seasons.
The catalogue is treated as part of the exhibition rather than as a souvenir. It states plainly which works are offered as print-on-demand editions and which are held only in the physical hang, so the record and the room never drift apart.
What each entry carries
Maker, medium, year and the place the work came from. The note is short by design, so the plate stays the main event and the caption does the quiet work of keeping the record honest.
Print-on-demand, marked clearly
Selected editions are available that way, and the catalogue says so on the page itself. Works held only in the physical hang are marked just as plainly, so there is no guessing at what can leave the room.
Following a body of work
Because the same maker and the same ground recur across seasons, the catalogues read as a sequence. Line four of them up and the shifts in light, wire and pasture start to show.
The catalogue sits alongside the rest of the archive. If you want to see how the rooms are arranged before you read it, start with the exhibition series or get in touch via the gallery contact page.