Current show, first of four
Fence Lines and Grazing Camps
Large-format photographs of boundary posts, wire and open pasture
The fence is the subject here, not the view behind it. These plates were made at the hour when wire catches light and the grass flattens to a pale, even tone, so the line of posts reads as a drawn mark across the land. Prints hang at full plate size, close to eye level, which lets you walk the boundary the way you would on foot and notice how the soil and the season change from one post to the next.
A short caption sits beside every image and records the maker, the medium, the year and the place where the frame was taken. Nothing else is added to the wall.
Boundary as composition
The posts give the frame its rhythm. Where they lean, where the wire sags, where a gap opens onto grazing camp, the picture changes without the camera moving much at all.
Full plate, no crop
Each print is shown whole so the eye can travel the length of the line. Trimming the edges would break the one thing the series is built on: continuity from post to post.
Recorded, not styled
Captions stay factual: maker, medium, year, place. The online rooms follow the same order as the physical hang, so a work you saw on the wall is where you left it.